Above all, Fried Kolos sketches out a scenario of a world of mutants, with dark-weird-surrealistic pictures and sounds. We confront the audience with a grotesque and exaggerated distortion of  a deformed and mutated world. But it is also a kind of poem about devastation and resurrection, the paradox of necessity and absurdity, about laughter and horror, and their complictiy.

Most importantly, we wanted to find our very own form to create this fantastic world. Every figure has its own specific nature, concerning its physical, emotional and linguistical skills, which are presented as through a magnifying glass. Due to their precise physical attitudes the actors seem like animated cartoons or made of modeling clay.

As far as the language is concerned we only use very few words, since almost all words and terms have lost their meaning with the destruction of the old world.

The performance is very stilistic, every action is choreographed, hence there are no superfluous or arbitrary movements. All movements underlie a certain rythmic and dynamic structure.

 

 

IDEA, STAGING AND ARTISTIC DIRECTOR Jeana Paraschiva

ASSISTANT DIRECTOR Franziska Zahl

COSTUME & MAKE UP DESIGN Liza Sander

STAGE DESIGN Sebastian Daniel Mall, Selina Reiterer

MUSIC Dirk Dresselhaus (a.k.a. Schneider TM)

ACTORS Maxim Mehmet, Tim Knapper, Verena Gros, Daniel Zillmann, Lucas Diaz, Rebecca Hiles, Virgilio Giner

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